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And all I can say is:
ti takaya dobraya. Spasiba.
(You’re so kind. Thank You)
and can you tell me who you are, what you want,
and if I should be afraid?
HEARD, SEEN, FOUND, THOUGHT, AND SOON TO BE FORGOTTEN
A bright and glorious future is already here — it’s just not very evenly distributed.
The recent tragic cruise ship accident is all the sadder considering what we now know about the cowardly captain and his abandonment of ship when lives were at stake and chaos reigned. I knew I had heard there was something fishy about Italian ships—and unsurprisingly it was from Noel Coward who said:
"I only travel on Italian ships. In the event of sinking, there’s none of that ‘women and children first’ nonsense!"
Ford Automobile Company Chief executive, Henry Ford II,
and the leader of the automobile workers union, Walter Reuther,
upon reviewing the new advanced machinery operating at the plant:
Henry Ford II: Walter, how are you going to get those robots to pay your union dues?
Walter Reuther: Henry, how are you going to get them to buy your cars?
And the problem is much worse now. Obama says he wants to create more jobs at home, but business is turning more and more work over to machines—and giving what’s left to third world parties who can get cheap (very cheap) labor. Those jobs are not coming back. How many pole dancers, burger flippers and reality TV stars does it take to turn an economy around?
The monster can be a Commie, or a Martian. Obama is one of The Others to many americans. And I think that's what has emboldened so many incompetent, incoherent, and unelectable would be candidates to throw their hats in the ring.
Subconsciously, people like Newt and Perry and Mitt and the rest of them must all feel that their chances are vastly improved by simply being something other than THE OTHER. Mitt's mormonism is nothing compared to Barack's otherness--and Newt's shameful and scandalous past pales before what people consider to be Barack's strange, exotic, and dark (in every way) family history. The whole thing makes me sick and I feel sick just writing about it, so I'll stop.
If every dogma has its day, how'd Newt Gingrich get two?
Jay Z will be performing at Carnegie Hall next week.
Tickets price ranges from 500 to 2500 dollars.
Who’s going? NBA players?
'Civilisation is hideously fragile. There's not much between us and the horrors underneath. Just a coat of varnish.'
A Coat of Varnish-- CP Snow
From a book review:
" it's a story with a beginning, a muddle, and an end."
Mario Cuomo said “you campaign in poetry and govern in prose."
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWC3Q3ZngffYkQe65HbGXYLFH_jOFcpWwzuFxqwA459ACscx94nr4SjI80E0MX-RKDwlycjBfykTexFjYsMca9YPuAlM05lqHhB9WPZKyQUlA6EvlVBaIhDLPqUUSyTUa0qFC8ojv8bxvJ/s400/TheBeatles_EarlyDays.jpg)
The best things in life are free
But you can keep ’em for the birds and bees
Now give me money
That’s what I want
Then...
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I'll buy you a diamond ring my friend
If it makes you feel all right
I'll get you anything my friend
If it makes you feel all right
'Cause I don't care too much for money
For money can't buy me love
Damn, they sure got rich fast.
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"Dutch" Treat
When I heard Elmore Leonard speak a few nights back, he talked about his now famous (and published in a book of its own that I'm sure his publisher wanted more than he did) rules of writing. You gotta love rules like this. So Un-Rule like, and so like him to make them so simple and plain.
Reading his new book Raylan --and best I can say is it's better than no Leonard at all. Not that it's bad, but he set the bar so high over the years that it may be too much to ask that he always maintain it--specially at the age of 86! His book before this one was not one I'd recommend either--but it did have a spark of experimentation that made it strangely provocative. In this new one, more than anything else I'm struck by the further simplification of an already bare- bones style. Leonard is the master of the sharp, short and sweet cut to the chase page turner--and in this book he's honed it to the point of the surreal. Characters and situations are introduced and developed in such quick strokes that almost nothing rings true in terms of the world most of us live in. Reminds me of painters like Matisse and DeKooning whose late works reduced color and form to the barest essentials and sometimes even the essentials went out the window. It's like an impression of the impressionistic--where what is left out becomes more the focus than what is included. But I'm not sure it works in fiction writing. I'm only halfway through, but already I can tell that this is not really a novel, but a series of situations and barely connected snapshots of a world where everyone is playing a quintessential "Elmore Leonard" type in a quintessential Elmore Leonard narrative. And the dialogue, for which he is so deservingly famous has been reduced to such a spareness, that at times you think you're reading Beckett or Pinter, albeit with a hearty appetite for deadly physical force. UPDATE: I read further since penning the above. The second narrative thread in Raylan is very good. Coal Mining town in post industrial America through a lens of hard boiled Sopranoesque real Politik. Emile Zola would have approved.
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